YuvRaj

Idi asalu ee genre movie no naaku artham kaledu…Director Subash B(G)hai ne adagali…Music genre lo start ayyi, atu nunchi love loki digi anni vadili Brother setiment loki digutundi…

Anta kante ghoram enti ante cinema anta Saaaaaaaaaaaaaagutune untundi. Asalu aa director em cheppali anukunado anukunnado prekshakulu madhyalone marchi potaru…nidra poyina vallani vadileste…

Performances ki vaste Anil Kapoor, Katrina and Boman Irani are Good. Salman and Mithun Chakravarty same old action…and Zayed Khan needs to improve on lot of things.

KATRINA KAIF IS LOOKING MARVELLOUS. She is as good as AISH in Jodha Akbar. She looked cute in each and every scene.

Music by AR Rahman is not impressive.

Over all ga please avoid this…DVD lo chusina I bet you will switch it off in between.

OUTER RING ROAD

Outer Ring Road (ORR)...

Deeni peru vinani Andhrudu undadu emo...Last week start ayindi and i wanted to have a sight of that. At last ninna naaku samshabad vaipu ninna pani unte ORR meedu ga vallanu ... nenu asalu expect chesindi ee road America, europe laku dhituga niga niga merisipotu untundi ani...break, clutch tho pani lekunda just accelarator meeda Raayi(stone) petti povadame anukunna kaani i was totally disappointed. daani kanna maa Kukatpally loni BJP office road nayam.

Adugaduki etu pallau...inka vankarleithe cheppakarledu...endu kosame evari kosamo teliyadu... adi ala tirutune undi...gatti ga car 100 ki reach ayinaka just oka 2 mins kuda polem malli ettu pallalo leka malupo vastundi...madhyalo road enta dis order ga katttaru ante every minute u need to watch it...oka nimisham kuda u can't enjoy ur driving...HORRIBLE ONE

Golmaal Returns

one more comedy from Asta Vinayak.

Gopal (Ajay Devgangets stuck in a yacht after saving an attractive woman Meera (Celina Jaitley) from some goons. Both end up spending the night on the yacht and when he comes home the next day, his painfully suspicious wife (Kareena) suspects him. Gopal knows it's going to be hard to quell her suspicion so he concocts a cock-and-bull story about having stayed the night with a fictitious friend called Anthony Gonsalves. Gopal convinces his junior at work, Laxman (Shreyas Talpade) to pretend to be Anthony. Madhav (Arshad Warsi) who has rivalrly with Ajay on on hand and other hand is Esha's(Amrita Arora-Ajay's sister) boyfriend learns that the latter had been missing from home that eventful night and begins checking on him.

Though this is said to be a comdedy film by nature director could not succed making out and out comedy one except for few scenes. This is OK film to watch if you have some time with nothing else to do nor wait for DVD.

Dostana review by me

Kudos to the Tarun Mansukhani(Story, screeen play and director)...asalu ilanti subject ravadame India lo great...nijanga asalu ee story ni ee guts tho rasaro vallake teliyali...daani Karan ki, abhishek ki, john ki ela chepparo...vallu ela oppukunnaro... nakinka doubt...malli ee film ni present chesindi yash Raj Film...

story is little odd...too guys(Abhi & John) willing to behave as Gays to share an apt with a girl (Priyanka) and then slowly falling in love with her and at last leaving her to her boss (cinemalu leni bobby deol).

nenu scenes chala vulgar ga untayi ani expect chesanu but not that much...Pure Mutiplex kind movie...Nannu adigithe chudochu kaani not with parents and relatives...just with freinds or spouses. (scenes lo vulgarity leka poyina concept koddiga embrassing undi kada) and for those who love priyanka watch muct because...U KNOW :).

DASVIDANIYA.

DASVIDANIYA...One of the best films I have watched in recent times…
This is story of a person who is about to die in 3 months and how he fulfills his small wishes in those months…

Though the story goes little slow the screen play is Just Awesome. Vinay Pathak had just lived in a role of dying patient. He is exceptionally well and his performance is just brilliant in this film. I would say this film should bang couple of awards for the Vinay Pathak and as the well as the director Shashant Shah. Rajat Kapoor, Neha dhupia and the person who did his brother role were good.

SCENES IMPRESSED ME:
· The expressions while he deletes the file and pours frooti on his boss quitting his job.
· Expressing love to Neha Dupia – Too excellent…can watch the film for this scene alone.
· LOVE at Russia
· Title roles at the end.

Dialogues, music and editing are good. Over all it’s a must film to watch…don’t miss it.

VINAYAKUDU...A sonia's Film

EE cinema enduku chudali ani adigithe Oakte Mata: watch it for “SONIA”; True she is Gorgeous. and she is the only attraction of the film…inkem ledu cinamalo…
J
agratha ga gamaniste idi Anand – O Manchi coffee lanti abbbayi ki remake antanu…with little changes…home work lekunda inta manchi cinema teeyagalaru ani telsindi.

Actors: SONIA did a great job…Apt film for her solo debut and for sure she is one who will reach heights. (I predicted the same for Shriya after watching Istam) chala cute ga chesindi…and vara veena song lo Saree lo kuda she impressed…chala koddi mandiki matrame sarees as well as modern dresses suit avutayi…She Rocksssss…and Migata valla vishyaniki vaste Krishnudu was Good…he could have done better but director could not do justice to his role…chala chotla emotions bayataki raledu…Hero friend ga vesina “ALTAF” baga unnadu…we can expect one more new actor…heroin friend bagundi…Ankita unanta varaku bane chesina aa role ni Kaima kinda tukku tukku ga kottadu director… Satya is adequate as hero's sister.

STORY: Inka story vishayaniki vatse…abba “Asha – Dosa” nenu meeku story cheppanu kanee only story ela undo cheptanu…Ok coming to point. Sai Kiran Adavi Anand ki remake chestunna ana thought enduko raledo meeku cinema chuste telsutundi…Asalu Home work ledu…Sekhar Kammula school nunchi vachina maro director kuda home work cheyyakunda vacahdu…Chala chotla links tegutayi…konni scenes lo director ki emayindi anna anumanam kalaga podu…Ex: Sonia Rajiv ni reject chesina region…chala foolish ga undi…and also krishudu- sonia godava padda scenes (sania mirza gurinchi starting lo & emotional scene at ending.) rendu balevu…asalu antha emotion enduku ani doubt vachindi…em pettalo director artham kaledu…KANEE mechu kovalsina vishyam enti ante EMOTIONS to baga adukunnadu SEKHAR KAMMULA laga…film could get over on that one reason.

Screen play : emotions matram palakinchadam lo chala suceess ayina Sai could not get over with many scenes…screen play lo I would give him only 50 % marks. chala mandi actors nunchi inka pindu kpvachu director.

Editing : Editing by Marthad first half lo editing baledu anipinchindi…chala chotla scenes skip ayinayi + scenes ayipoyinaka kuda voice over continue avutune undi…second half was neat

Camera work was neat & Music by Sam is Good with less songs.

Aninti kanaa nachina scenes…heroin hero ni pelli chesukomani adige scene…

kaneee inni flaws unna its a fair movie...most of the flaws are technical...mamulu kanti ki its a worth watch...Prem kumar gari taste bavundi…Nice film from his production house. Over all chudalsina film for all movie lovers…film chala neat ga undi…Good one. dont miss this....

Be care ful

Be Careful

Evolution of Indian rupee

The rupee has evolved over the years, not only in design and structure but also in valuation. Let's take a quick look at the high points of its development over the past sixty years.

Brief history
Under the British rule, several princely states had the right to issue coins and banknotes, and several of them did so until 1950. The value of this rupee varied from one state to another. The rupee issued by the Government of India was assigned a value, relative to the British pound sterling. The concept of a single currency or Indian rupee, holding the same value, design and structure across the country, developed only after independence.
The Indian rupee was also used extensively in West Asia, East Africa and other parts of the world that were on trade routes to and from India. The rupee was used in Aden and in British Somaliland until 1951, in Iraq from 1917 to 1931, in Kuwait until 1961, in Bahrain until 1966, in Qatar and the Trucial Coast until 1967 and in the Sultanate of Muscat and Oman until 1966.
After independence, rupee was made divisible into 100 naye paise between 1957-64, and 100 paise beginning in 1964. The Treasury of the Government of India issued banknotes until 1943. The Reserve Bank of India was set up in April 1, 1935 and took over responsibility for issuing banknotes after 1943.
The Haj Rupee and Persian Gulf Rupees were also issued by the Reserve Bank of India till 1965.
The French, Dutch and Portuguese colonies in India, where the Indian rupee value was relative to the parent country's currencies, regularized the rupee only after accession to India in the 50s and 60s.
Design and Style:
After independence, the government brought out the new design Re 1 note in 1949. Initially, it was felt that the King's portrait be replaced by a portrait of Mahatma Gandhi. Eventually, Lion of Asoka, which is also the national emblem, was chosen. The new design of notes were largely along earlier lines. Hindi found a place on the rupee note in 1953, followed by 14 other languages.
The economic crisis in late 1960s led to a reduction in the size of notes in 1967. High denomination notes such as Rs 500, Rs 1,000 Rs. 10,000 were demonetized and subsequently re-introduced in the new millennium.

The "Mahatma Gandhi Series" was introduced in 1996. Prominent new features included a changed watermark, windowed security thread, latent image and intaglio features for the visually handicapped. These features are enhanced and improved continuously to provide more security and prevent fake currency printing.
Currency valuations:
Prior to independence, the Indian currency was pegged against silver. The silver-based rupee, fluctuated according to the value of silver and had a distinct disadvantage while trading against currencies which were based on the gold standard. This was rectified post-independence.
Problems of the 50s and 60s:
India inherited a trade deficit because of its colonial past. Complications of partition further accentuated the problem. Owing to a negative savings rate, the country could not lean on the private corporate sector or public savings. The relatively young economy, struggling with a mounting budget deficit, found an outlet in government bonds which were issues to the Reserve Bank of India to increase money supply. Unfortunately, this increased inflation as well.
Following the Indo-Pak War of 1965, the main sources of foreign aid dried up as the western economies, mainly the US and the UK, sided with Pakistan. India was also told to lift trade restrictions by its major trade partners in the developed world. In addition to high defense spending, because of war conditions, the country also faced its worst drought during the period. This led to a decline in agricultural production and a sharp rise in prices.
At that point, India had a fixed exchange rate system, where the rupee was pegged to the value of a basket of currencies of major trading partners. These currencies were, the US dollar, the UK pound sterling, the Japanese yen, the Deutsche mark and the Italian lira. Its value was determined from time to time, according to change in the relatives values of these currencies vis-à-vis one another and India's trade account with them.
The government had no choice but to effect a currency devaluation. At the end of 1969, the rupee was trading at around 13 British Pence.